Product Photography: Multi-light Look with Only One Light

When I get new gear for whatever reason I want to shoot it before I dirty it up. I recently got some shoes from Scarpa for a spec shoot and some shoes from Adidas Terrex. Before destroying them I set up my home studio and went to work.

I started off with the Scarpa Crux approach shoe. It's a sturdy shoe with good Vibram rubber. It is quite comfortable, but I haven't taken it out on any long approaches yet.

Using a piece of glass under your subject adds a bit of interest to a product photo, but as with anything, don't over do it. In this case I used a piece of glass from a broken 16x20 frame. Taping the edges helps it not cut things and you, and I think makes it a bit sturdier. 

I employed a method of lighting using only one light but giving off the appearance of a complex multi-light setup. Put your camera on a STURDY tripod and use and cable release so you do not bump your camera during the process. For this to work you camera has to stay completely still.

I use a LumiQuest SoftbBox LTp with my Speedlite 580EXII on a wireless slave as my one light. It's 10"x14", giving you over 40x the surface area of a Speedlite. Interpretation: it gives you much softer light. With the Speedlite on a wireless slave I can move around my subject freely without bumping the camera position. I take multiple shots with the light in every possible different position.

Next step: Photoshop! In Photoshop open all the different versions of the image that you think you'll use. Pick one to be the base image then drag all the other photos on to your chosen "base". Holding Command + Shift while doing this will align all of your images. Create inverted layer masks on all but the base layer and begin "painting" in the light that you want. Presto: Magical Multi-Light image.

D. Scott Clark

I've worked all over her globe with a diverse set of clients that offer a diverse set of challenges; every one of them a learning opportunity. Whether I'm hanging off a frozen waterfall shooting ice climbing or in a studio working with a model I am adapting, learning, and improving. I've created a mobile studio in the middle of a wild adventure race in southern Patagonia and fought with monkeys to keep my grapes in southern India. Whatever the challenge I will get the shot.

With my photography background firmly formed in the commercial advertising arena, I bring that attention to detail and technical process to adventure photography. And I've spent my entire life adventuring, so I can get any angle you can imagine.

I feel very fortunate to live in such a beautiful place as Boulder, CO. When I'm not shooting for clients I'm out climbing rocks or frozen waterfalls, or cruising down in the backcountry on my skis.

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